| The sculptural form is an open-air space that directs outward views at various points within the existing site. Formal use of sitelines allowed a graphic approach to structural configuration. Site analysis focused on the noncontiguous spatial and visual experience the subway creates, and exploited the idea of fragmentation of space. Within this, public furniture incorporated into the structure invites adaptable program, while the train platform is central to the circulation. By using transparency in materiality, non-orthogonal spaces direct eye movement along layers of program. |